Yanomami Yanomami woman and her child, June 1997 Total population approximately 35, 339  Regions with significant populations Venezuela (southeastern) 16, 069 (2009) Brazil (northern) 19, 420 (2011) Languages Yanomaman languages Religion Shamanism The Yanomami, also spelled Yąnomamö or Yanomama, are a group of approximately 35, 000 indigenous people who live in some 200–250 villages in the Amazon rainforest on the border between Venezuela and Brazil. Etymology [ edit] The ethnonym Yanomami was produced by anthropologists on the basis of the word yanõmami, which, in the expression yanõmami thëpë, signifies "human beings. This expression is opposed to the categories yaro (game animals) and yai (invisible or nameless beings) but also napë (enemy, stranger, non-Indian. 2] According to ethnologist Jacques Lizot: Yanomami is the Indians' term refers to communities disseminated to the south of the Orinoco, whereas] the variant Yanomawi is used to refer to communities north of the Orinoco. The term Sanumá corresponds to a dialect reserved for a cultural subgroup, much influenced by the neighboring Ye'kuana people. Other denominations applied to the Yanomami include Waika or Waica, Guiaca, Shiriana, Shirishana, Guaharibo or Guajaribo, Yanoama, Ninam, and Xamatari or Shamatari.  History [ edit] The first report of the Yanomami to the Western world is from 1759, when a Spanish expedition under Apolinar Diez de la Fuente visited some Ye'kuana people living on the Padamo River. Diez wrote: By interlocution of an Uramanavi Indian, I asked Chief Yoni if he had navigated by the Orinoco to its headwaters; he replied yes, and that he had gone to make war against the Guaharibo [Yanomami] Indians, who were not very who will not be friends with any kind of Indian.  From approximately 1630 to 1720, the other river-based indigenous societies who lived in the same region were wiped out or reduced as a result of slave-hunting expeditions by the conquistadors and bandeirantes.  How this affected the Yanomami is unknown. Sustained contact with the outside world began in the 1950s with the arrival of members of the New Tribes Mission  as well as Catholic missionaries from the Society of Jesus and Salesians of Don Bosco.  In Roraima, the 1970s saw the implementation of development projects within the framework of the "National Integration Plan" launched by the Brazilian military governments of the time. This meant the opening of a stretch of perimeter road (1973–76) and various colonization programs on land traditionally occupied by the Yanomami. During the same period, the Amazonian resources survey project RADAM (1975) detected important mineral deposits in the region. This triggered a progressive movement of gold prospectors, which after 1987 took the form of a real gold rush. Hundreds of clandestine runways were opened by gold miners in the major tributaries of the Branco River between 1987 and 1990. The number of gold miners in the Yanomami area of Roraima was then estimated at 30 to 40 thousand, about five times the indigenous population resident there. Although the intensity of this gold rush has subsided greatly since 1990, gold prospecting continues today in the Yanomami land, spreading violence and serious health and social problems.  Increasing pressure from farmers, cattle ranchers, and gold miners, as well as those interested in securing the Brazilian border by constructing roads and military bases near Yanomami communities, led to a campaign to defend the rights of the Yanomami to live in a protected area. In 1978 the Pro-Yanomami Commission (CCPY) was established. Originally named the Commission for the Creation of a Yanomami Park, it is a Brazilian non-governmental nonprofit organization dedicated to the defense of the territorial, cultural, and civil and political rights of the Yanomami. CCPY devoted itself to a long national and international campaign to inform and sensitize public opinion and put pressure on the Brazilian government to demarcate an area suited to the needs of the Yanomami. After 13 years the Yanomami indigenous land was officially demarcated in 1991 and approved and registered in 1992, thus ensuring that indigenous people had the constitutional right to the exclusive use of almost 96, 650 square kilometres (37, 320 sq mi) located in the States of Roraima and Amazonas.  The Alto Orinoco-Casiquiare Biosphere Reserve was created in 1993 with the objective of preserving the traditional territory and lifestyle of the Yanomami and Ye'kuana peoples.  However, while the constitution of Venezuela recognizes indigenous peoples rights to their ancestral domains, few have received official title to their territories and the government has announced it will open up large parts of the Amazon rainforest to legal mining.  Organization [ edit] The Yanomami do not recognize themselves as a united group, but rather as individuals associated with their politically autonomous villages. Yanomami communities are grouped together because they have similar ages and kinship, and militaristic coalitions interweave communities together. The Yanomami have common historical ties to Carib speakers who resided near the Orinoco river and moved to the highlands of Brazil and Venezuela, the location the Yanomami currently occupy.  Mature men hold most political and religious authority. A tuxawa (headman) acts as the leader of each village, but no single leader presides over the whole of those classified as Yanomami. Headmen gain political power by demonstrating skill in settling disputes both within the village and with neighbouring communities. A consensus of mature males is usually required for action that involves the community, but individuals are not required to take part.  Domestic life and diet [ edit] Groups of Yanomami live in villages usually consisting of their children and extended families. Villages vary in size, but usually contain between 50 and 400 native people. In this largely communal system, the entire village lives under a common roof called the shabono. Shabonos have a characteristic oval shape, with open grounds in the centre measuring an average of 100 yards (91 m. The shabono shelter constitutes the perimeter of the village, if it has not been fortified with palisades. Under the roof, divisions exist marked only by support posts, partitioning individual houses and spaces. Shabonos are built from raw materials from the surrounding rainforest, such as leaves, vines, and tree trunks. They are susceptible to heavy damage from rains, winds, and insect infestation. As a result, new shabonos are constructed every 4 to 6 years. The Yanomami can be classified as foraging horticulturalists, depending heavily on rainforest resources; they use slash-and-burn horticulture, grow bananas, gather fruit, and hunt animals and fish. When the soil becomes exhausted, Yanomami frequently move to avoid areas that have become overused, a practice known as shifting cultivation. Yanomami women in Venezuela Children stay close to their mothers when young; most of the childrearing is done by women. Yanomami groups are a famous example of the approximately fifty documented societies that openly accept polyandry, 14] though polygyny among Amazonian tribes has also been observed. citation needed] Many unions are monogamous. Polygamous families consist of a large patrifocal family unit based on one man, and smaller matrifocal subfamilies: each woman's family unit, composed of the woman and her children. Life in the village is centered around the small, matrilocal family unit, whereas the larger patrilocal unit has more political importance beyond the village. The Yanomami are known as hunters, fishers, and horticulturists. The women cultivate cooking plantains and cassava in gardens as their main crops. Men do the heavy work of clearing areas of forest for the gardens. Another food source for the Yanomami is grubs.  Often the Yanomami will cut down palms in order to facilitate the growth of grubs. The traditional Yanomami diet is very low in edible salt. Their blood pressure is characteristically among the lowest of any demographic group.  For this reason, the Yanomami have been the subject of studies seeking to link hypertension to sodium consumption. Location of the Yanomami peoples Rituals are a very important part of Yanomami culture. The Yanomami celebrate a good harvest with a big feast to which nearby villages are invited. The Yanomami village members gather large amounts of food, which helps to maintain good relations with their neighbours. They also decorate their bodies with feathers and flowers. During the feast, the Yanomami eat a lot, and the women dance and sing late into the night. Hallucinogens or entheogens, known as yakoana or ebene, are used by Yanomami shamans as part of healing rituals for members of the community who are ill. Yakoana also refers to the tree from which it is derived, Virola elongata. Yopo, derived from a different plant with hallucinogenic effects ( Anadenanthera peregrina) is usually cultivated in the garden by the shaman. The Xamatari also mix the powdered bark of Virola elongata with the powdered seeds of yopo to create the drug ebene. The drugs facilitate communication with the hekura, spirits that are believed to govern many aspects of the physical world. Women do not engage in this practice, known as shapuri.  The Yanomami people practice ritual endocannibalism, in which they consume the bones of deceased kinsmen.  The body is wrapped in leaves and placed in the forest some distance from the shabono; then after insects have consumed the soft tissue (usually about 30 to 45 days) the bones are collected and cremated. The ashes are then mixed with a kind of soup made from bananas, which is consumed by the entire community. The ashes may be preserved in a gourd and the ritual repeated annually until the ashes are gone. In daily conversation, no reference may be made to a dead person except on the annual "day of remembrance" when the ashes of the dead are consumed and people recall the lives of their deceased relatives. This tradition is meant to strengthen the Yanomami people and keep the spirit of that individual alive. The women are responsible for many domestic duties and chores, excluding hunting and killing game for food. Although the women do not hunt, they do work in the gardens and gather fruits, tubers, nuts and other wild foodstuffs. The garden plots are sectioned off by family, and grow bananas, plantains, sugarcane, mangoes, sweet potatoes, papayas, cassava, maize, and other crops.  Yanomami women cultivate until the gardens are no longer fertile, and then move their plots. Women are expected to carry 70 to 80 pounds (32 to 36 kg) of crops on their backs during harvesting, using bark straps and woven baskets.  In the mornings, while the men are off hunting, the women and young children go off in search of termite nests and other grubs, which will later be roasted at the family hearths. The women also pursue frogs, terrestrial crabs, or caterpillars, or even look for vines that can be woven into baskets. While some women gather these small sources of food, other women go off and fish for several hours during the day.  The women also prepare cassava, shredding the roots and expressing the toxic juice, then roasting the flour to make flat cakes (known in Spanish as casabe) which they cook over a small pile of coals.  Yanomami women are expected to take responsibility for the children, who are expected to help their mothers with domestic chores from a very young age, and mothers rely very much on help from their daughters. Boys typically become the responsibility of the male members of the community after about age 8. Using small strings of bark and roots, Yanomami women weave and decorate baskets. They use these baskets to carry plants, crops, and food to bring back to the shabono.  They use a red berry known as onoto or urucu to dye the baskets, as well as to paint their bodies and dye their loin cloths.  After the baskets are painted, they are further decorated with masticated charcoal pigment.  Female puberty and menstruation [ edit] The start of menstruation symbolizes the beginning of womanhood. Girls typically start menstruation around the age of 12-15.  25] Girls are often betrothed before menarche and the marriage may only be consummated once the girl starts menstruating, though the taboo is often violated and many girls become sexually active before then.  The Yanomami word for menstruation ( roo) translates literally as "squatting" in English, as they use no pads or cloths to absorb the blood. Due to the belief that menstrual blood is poisonous and dangerous, girls are kept hidden away in a small tent-like structure constructed of a screen of leaves. A deep hole is built in the structure over which girls squat, to "rid themselves" of their blood. These structures are regarded as isolation screens.  An Yanomami girl at Xidea, Brazil in August 1997 The mother is notified immediately, and she, along with the elder female friends of the girl, are responsible for disposing of her old cotton garments and must replace them with new ones symbolizing her womanhood and availability for marriage.  During the week of that first menstrual period the girl is fed with a stick, for she is forbidden from touching the food in any way. While on confinement she has to whisper when speaking and she may speak only to close kin, such as sisters or her mother, but never a male.  Up until the time of menstruation, girls are treated as children, and are only responsible for assisting their mothers in household work. When they approach the age of menstruation, they are sought out by males as potential wives. Puberty is not seen as a significant time period with male Yanomami children, but it is considered very important for females. After menstruating for the first time, the girls are expected to leave childhood and enter adulthood, and take on the responsibilities of a grown Yanomami woman. After a young girl gets her period, she is forbidden from showing her genitalia and must keep herself covered with a loincloth.  The menstrual cycle of Yanomami women does not occur frequently due to constant nursing or child birthing, and is treated as a very significant occurrence only at this time.  Language [ edit] Yanomaman languages comprise four main varieties: Ninam, Sanumá, Waiká, and Yanomamö. Many local variations and dialects also exist, such that people from different villages cannot always understand each other. Many linguists consider the Yanomaman family to be a language isolate, unrelated to other South American indigenous languages. The origins of the language are obscure. Violence [ edit] In early anthropological studies the Yanomami culture was described as being permeated with violence. The Yanomami people have a history of acting violently not only towards other tribes, but towards one another.  29] An influential ethnography by anthropologist Napoleon Chagnon described the Yanomami as living in "a state of chronic warfare. 15] Chagnon's account and similar descriptions of the Yanomami portrayed them as aggressive and warlike, sparking controversy amongst anthropologists and creating an enormous interest in the Yanomami. The debate centered around the degree of violence in Yanomami society, and the question of whether violence and warfare were best explained as an inherent part of Yanomami culture, or rather as a response to specific historical situations. Writing in 1985, anthropologist Jacques Lizot, who had lived among the Yanomami for more than twenty years, stated: I would like my book to help revise the exaggerated representation that has been given of Yanomami violence. The Yanomami are warriors; they can be brutal and cruel, but they can also be delicate, sensitive, and loving. Violence is only sporadic; it never dominates social life for any length of time, and long peaceful moments can separate two explosions. When one is acquainted with the societies of the North American plains or the societies of the Chaco in South America, one cannot say that Yanomami culture is organized around warfare as Chagnon does.  Anthropologists working in the ecologist tradition, such as Marvin Harris, argued that a culture of violence had evolved among the Yanomami through competition resulting from a lack of nutritional resources in their territory.  31] However, the 1995 study "Yanomami Warfare" by R. Brian Ferguson, examined all documented cases of warfare among the Yanomami and concluded: Although some Yanomami really have been engaged in intensive warfare and other kinds of bloody conflict, this violence is not an expression of Yanomami culture itself. It is, rather, a product of specific historical situations: The Yanomami make war not because Western culture is absent, but because it is present, and present in certain specific forms. All Yanomami warfare that we know about occurs within what Neil Whitehead and I call a "tribal zone" an extensive area beyond state administrative control, inhabited by nonstate people who must react to the far-flung effects of the state presence.  Ferguson stresses the idea that contrary to Chagnon's description of the Yanomami as unaffected by Western culture, the Yanomami experienced the effects of colonization long before their territory became accessible to Westerners in the 1950s, and that they had acquired many influences and materials from Western culture through trade networks much earlier.  Lawrence Keeley questioned Ferguson's analysis, writing that the character and speed of changes caused by contact with civilization are not well understood, and that diseases, trade items, weapons, and population movements likely all existed as possible contributors to warfare before civilization.  Percentage of male deaths due to warfare in two Yanomami subgroups, as compared to other indigenous ethnic groups in New Guinea and South America and to some industrialized nations Violence is one of the leading causes of Yanomami death. Up to half of all of Yanomami males die violent deaths in the constant conflict between neighboring communities over local resources. Often these confrontations lead to Yanomami leaving their villages in search of new ones.  Women are often victims of physical abuse and anger. Inter-village warfare is common, but does not too commonly affect women. When Yanomami tribes fight and raid nearby tribes, women are often raped, beaten, and brought back to the shabono to be adopted into the captor's community. Wives may be beaten frequently, so as to keep them docile and faithful to their husbands.  Sexual jealousy causes much of the violence.  Women are beaten with clubs, sticks, machetes, and other blunt or sharp objects. Burning with a branding stick occurs often, and symbolizes a males strength or dominance over his wife.  Yanomami men have been known to kill children while raiding enemy villages.  Helena Valero, a Brazilian woman kidnapped by Yanomami warriors in the 1930s, witnessed a Karawetari raid on her tribe: They killed so many. I was weeping for fear and for pity but there was nothing I could do. They snatched the children from their mothers to kill them, while the others held the mothers tightly by the arms and wrists as they stood up in a line. All the women wept. The men began to kill the children; little ones, bigger ones, they killed many of them.  Controversies [ edit] Gold was found in Yanomami territory in the early 1970s and the inevitable influx of miners brought disease, alcoholism, and violence. Yanomami culture was severely endangered. In the mid-1970s, garimpeiros (small independent gold-diggers) started to enter the Yanomami country. Where these garimpeiros settled, they killed members of the Yanomami tribe in conflict over land. In addition, mining techniques by the garimpeiros led to environmental degradation. Despite the existence of FUNAI, the federal agency representing the rights and interests of indigenous populations, the Yanomami have received little protection from the government against these intrusive forces. In some cases the government can be cited as supporting the infiltration of mining companies into Yanomami lands. In 1978, the militarized government, under pressure from anthropologists and the international community, enacted a plan that demarcated land for the Yanomami. These reserves, however, were small "island" tracts of land lacking consideration for Yanomami lifestyle, trading networks, and trails, with boundaries that were determined solely by the concentration of mineral deposits.  In 1990, more than 40, 000 garimpeiros had entered the Yanomami land.  In 1992, the government of Brazil, led by Fernando Collor de Mello, demarcated an indigenous Yanomami area on the recommendations of Brazilian anthropologists and Survival International, a campaign that started in the early 1970s. Non-Yanomami people continue to enter the land; the Brazilian and Venezuelan governments do not have adequate enforcement programs to prevent the entry of outsiders.  Ethical controversy has arisen about Yanomami blood taken for study by scientists such as Napoleon Chagnon and his associate James Neel. Although Yanomami religious tradition prohibits the keeping of any bodily matter after the death of that person, the donors were not warned that blood samples would be kept indefinitely for experimentation. Several prominent Yanomami delegations have sent letters to the scientists who are studying them, demanding the return of their blood samples. As of June 2010 these samples were in the process of being removed from storage for shipping to the Amazon, pending the decision as to whom to deliver them to and how to prevent any potential health risks in doing so.  Members of the American Anthropological Association debated a dispute that has divided their discipline, voting 846 to 338 to rescind a 2002 report on allegations of misconduct by scholars studying the Yanomami people. The dispute has raged since Patrick Tierney published Darkness in El Dorado in 2000. The book charged that anthropologists had repeatedly caused harm—and in some cases, death—to members of the Yanomami people whom they had studied in the 1960s.  In 2010, Brazilian director José Padilha revisited the Darkness in El Dorado controversy in his documentary Secrets of the Tribe. Population decrease [ edit] From 1987 to 1990, the Yanomami population was severely affected by malaria, mercury poisoning, malnutrition, and violence due to an influx of garimpeiros searching for gold in their territory.  Without the protection of the government, Yanomami populations declined when miners were allowed to enter the Yanomami territory frequently throughout this 3-year span.  In 1987, FUNAI President Romero Jucá denied that the sharp increase in Yanomami deaths was due to garimpeiro invasions, and José Sarney, then president of Brazil, also supported the economic venture of the garimpeiros over the land rights of the Yanomami.  Alcida Rita Ramos, an anthropologist who worked closely with the Yanomami, says this three-year period "led to charges against Brazil for genocide. 43] Massacres [ edit] The Haximu massacre, also known as the Yanomami massacre, was an armed conflict in 1993, just outside Haximu, Brazil, close to the border with Venezuela. A group of garimpeiros killed approximately 16 Yanomami. In turn, Yanomami warriors killed at least two garimpeiros and wounded two more. In July 2012 the government of Venezuela investigated another alleged massacre. According to the Yanomami, a village of eighty people was attacked by a helicopter and the only known survivors of the village were three men who happened to be out hunting while the attack occurred.  However, in September 2012 Survival International, who had been supporting the Yanomami in this allegation, retracted their support after journalists could find no evidence to support the claim.  Groups working for the Yanomami [ edit] David Good, son of the anthropologist Kenneth Good and his wife Yarima, created The Good Project to help support the future of the Yanomami people.  47] UK-based non-governmental organization Survival International has created global awareness-raising campaigns on the human rights situation of the Yanomami people.  In 1988 the US-based World Wildlife Fund (WWF) funded the musical Yanomamo, by Peter Rose and Anne Conlon, to convey what is happening to the people and their natural environment in the Amazon rainforest.  It tells of Yanomami tribesmen/tribeswomen living in the Amazon and has been performed by many drama groups around the world.  The German-based non-governmental organization Yanomami-Hilfe eV is building medical stations and schools for the Yanomami in Venezuela and Brazil.  Founder Christina Haverkamp crossed the Atlantic Ocean in 1992 on a self-made bamboo raft in order to draw attention to the continuing oppression of the Yanomami people.  The Brazilian-based Yanomami formed their own indigenous organization Hutukara Associação Yanomami and accompanying website.  Comissão Pró-Yanomami (CCPY. edit] CCPY (formerly Comissão pela Criação do Parque Yanomami) is a Brazilian NGO focused on improving health care and education for the Yanomami.  Established in 1978 by photographer Claudia Andujar, anthropologist Bruce Albert, and Catholic missionary Carlo Zacquini, CCPY has dedicated itself to the defense of Yanomami territorial rights and the preservation of Yanomami culture. CCPY launched an international campaign to publicize the destructive effects of the garimpeiro invasion and promoted a political movement to designate an area along the Brazil-Venezuela border as the Yanomami Indigenous Area.  This campaign was ultimately successful.  Following demarcation of the Yanomami Indigenous Area in 1992, CCPY's health programs, in conjunction with the now-defunct NGO URIHI (Yanomami for "forest. succeeded in reducing the incidence of malaria among the Brazilian Yanomami by educating Yanomami community health agents in how to diagnose and treat malaria. Between 1998 and 2001 the incidence of malaria among Brazilian Yanomami Indians dropped by 45. 57] 58] In 2000, CCPY sponsored a project to foster a market for Yanomami-grown fruit trees. This project aimed to help the Yanomami as they transition to an increasingly sedentary lifestyle because of environmental and political pressures.  In a separate venture, the CCPY, per the request of Yanomami leaders, established Yanomami schools that teach Portuguese, aiming to aid the Yanomami in their navigation of Brazilian politics and international arenas in their struggle to defend land rights. Additionally, these village schools teach Yanomami about Brazilian society, including money use, good production, and record-keeping.  In popular culture [ edit] The Yanomami's reputation for violence was dramatized in Ruggero Deodato 's controversial film Cannibal Holocaust, in which natives apparently practiced endocannibalism.  61] Peter Rose and Anne Conlon, Yanomamo, 62] a musical entertainment published by Josef Weinberger, London (1983) 63] The 2008 Christian movie Yai Wanonabälewä: The Enemy God featured one of the Yanomami in the telling of the history and culture of his people.  In the 2006 novel World War Z by Max Brooks, a Brazilian doctor named Fernando Oliveira, in the aftermath of the titular zombie war, is living with the Yanomami. It is unclear whether he is being kept as a hostage or taking refuge.  In the animated series Metalocalypse (season 2, episode 9) a Yanomami tribe is shown, and they share with the main characters their drug made of yopo. The Yanomami are mentioned as kinfolk to jaguar werecats known as "Balam" in the Tabletop role-playing game, Werewolf: The Apocalypse.  In the Sergio Bonelli comic book Mister No, the eponymous protagonist was once married to a Yanomami woman and often interacts with Yanomami (they are called " Yanoama " in the comic. See also [ edit] Tim Asch Visual anthropology Yanomaman languages Yanomami women Shabonos References [ edit] Povos Indigenas no Brasil: Yanomami. Fordggddgehrvbwhich may be duplicated between sources in Venezuela and Brazil, see  "The name Yanomami" Povos Indigenas no Brasil. ^ Jacques Lizot, Diccionario Yanomami-Espanol, Central University of Venezuela, Faculty of Social and Scientific Economics, Caracas, 1975. ^ Francisco Michelena y Rojas, Exploracion Oficial, Nelly Arvelo-Jiminez and Horacio Biord Castillo, eds., 1989. Iquitos, Peru: IIAP-CETA; pp. 171-72. ^ John Hemming, Red Gold: The Conquest of the Brazilian Indians, Cambridge, MA: Harvard University Press, 1978. ^ Ritchie, Mark Andrew. Spirit of the Rainforest: A Yanomamo Shaman's Story. ISBN 0-9646952-3-5 ^ Smiljanic, Maria Inês (January 2002. Os enviados de Dom Bosco entre os Masiripiwëiteri. O impacto missionário sobre o sistema social e cultural dos Yanomami ocidentais (Amazonas, Brasil. Journal de la Société des Américanistes. 2002 (88) 137–158. doi: 10. 4000/jsa. 2763. ^ The Gold Rush. Povos Indigenas no Brasil. ^ A Comissão Pró-Yanomami e suas ações. Portuguese. ^ Alto Orinoco-Casiquiare" MAB Biosphere Reserves Directory, UNESCO, retrieved 2017-04-02 ^ Venezuelan tribes protest against violent mining gangs. Survival International News, 18 June 2015. ^ Early, John (2000. The Xilixana Yanomami of the Amazon: History, Social Structure, and Population Dynamics. Gainesville, Florida: University Press of Florida. p. 4. ^ Hames, Beierle, Raymond B., John. "Culture Summary: Yanoama. New Haven, Connecticut. Retrieved 10 December 2013. ^ Starkweather and Hames, 2012 ^ a b Ya̦nomamö: the fierce people (Chagnon 1968; Chagnon 1977; Chagnon 1983; Chagnon 1992; Chagnon 1998; Chagnon 2012) "Yanomami Indians in the INTERSALT study" accessed 14 January 2007) a b Lizot, Jacques. 1985. Tales of the Yanomami: Daily Life in the Venezuelan Forest, Cambridge Studies in Social Anthropology, Cambridge University Press, Worcester; ISBN 0-521406722; pp. xiv–xv. Original volume in French: Le Cercle des feux: Faits e dits des Indiens yanomami, 1976) a b c d Good, Kenneth, with David Chanoff (1988) Into the Heart. London: The Ulverscroft Foundation. ^ Napoleon A. Chagnon (1992. Yanomamo. NY: Harcourt Brace College Publishers. Fourth edition. ^ a b Kenneth Good (1991. Into the Heart: One Man's Pursuit of Love and Knowledge Among the Yanomami. NY: Simon and Schuster. ^ a b Alcida Rita Ramos (1995. Sanuma Memories: Yanomami Ethnography in Times of Crisis. Madison: University of Wisconsin Press. ^ Schwartz, David M, with Victor Englebert. Vanishing Peoples Yanomami People of The Amazon. New York: Lothrop, Lee & Shepard Books. ^ Cruz, Valdir (2002. Faces of the Rainforest: The Yanomami. New York: PowerHouse Books. ^ a b Changon, Napoleon (February 2013. Noble Savages: My Life Among Two Dangerous Tribes. the Yanomamo and the Anthropologists. Simon & Schuster. ISBN 978-0684855110. ^ Biocca, Ettore (October 1969. Yanoama: The Narrative of a Young Woman Kidnapped by Amazonian Indians. Allen & Unwin. ISBN 978-0045720187. ^ a b c Chagnon, Napoleon A. (1992. New York: Holt, Rinehart, and Winston. ^ a b Chagnon, Napoleon A. 1974. Studying the Yanomamo. New York: Holt, Rinehart, and Winston. ^ a b c R. Brian Ferguson (1995. Yanomami Warfare: A Political History. Santa Fe: School for American Research Press. ^ Ramos, A. R. (1987) Reflecting on the Yanomami: Ethnographic Images and the Pursuit of the Exotic. Cultural Anthropology, 2: 284–304. 1525/can. 1987. 2. 3. 02a00020 ^ Harris, Marvin. 1984. "A cultural materialist theory of band and village warfare: the Yanomamo test. in Warfare, Culture, and Environment, R. B. Ferguson (ed. pp. 111–40. Orlando: Academic Press. ^ Marvin Harris. 1979. "The Yanomamö and the cause of war in band and village societies. In Brazil: Anthropological Perspectives, Essays in Honor of Charles Wagley. M. Margolis and W. Carter (eds. 121–32. New York Columbia University Press. ^ Ferguson, R. Brian. 1995. Yanomami Warfare: A political history. SAR Press. p. 6 ^ Lawrence H. Keeley (1996. War Before Civilization: The Myth of the Peaceful Savage. Oxford University Press. ^ a b Christine Fielder, Chris King (2006. Sexual Paradox: Complementarity, Reproductive Conflict and Human Emergence. LULU PR. 156. ISBN 1-4116-5532-X ^ Rabben, Linda (2004. Brazil's Indians and the Onslaught of Civilization. Seattle: University of Washington Press. p. 96. ^ Kottak, Conrad Phillip (2004) Anthropology: the exploration of human diversity, 10th ed., p. 464, New York: McGraw-Hill. ^ Chagnon, N. Yanomamo: Case Studies in Cultural Anthropology. 6th edition, Wadsworth Publishing, January 1, 2012; pp. 231–232. ^ Couzin-Frankel, Jennifer (June 4, 2010. Researchers to return blood samples to the Yanomamö. Science. Vol. 328, No. 5983: 1218. ^ Never Mind" Inside Higher Ed, 29 Jun 2005 ^ Ramos, Alcida (1995. Seduced and Abandoned: The Taming of Brazilian Indians. Iowa City: University of Iowa. ^ John Hemming, Roraima: Brazil's Northernmost Frontier. ISA Research Papers (20) University of London, School of Advanced Study. ISSN 0957-7947 ^ a b Rabben, Linda (2004. p. 103. ^ Ramos, Alcida (1995. Madison, WI: University Wisconsin Press. p. xvi. ^ Venezuela investigating alleged massacre of indigenous people in the Amazon. MercoPress. 30 August 2012. Retrieved 9 April 2013. ^ Jonathan Watts (11 September 2012. Campaign group retracts Yanomami 'massacre' claims. The Guardian. Retrieved 13 September 2012. ^ Join the Good Project. Retrieved 31 July 2015. ^ Kremer, William (29 August 2013. Return to the rainforest: A son's search for his Amazonian mother. BBC News Magazine. Retrieved 29 August 2013. ^ The Yanomami. Survival for tribal people. Retrieved 9 April 2013. ^ WWF Musicals for Schools ^ Yanomamo: An Ecological Entertainment ^ Christina Haverkamp. "Campaigns & Projects. Yanomami-hilfe e. V. Retrieved 9 April 2013. ^ Christina Haverkamp. "Bamboo raft trip (1992. Retrieved 9 April 2013. ^ Hutukara. Retrieved 9 April 2013. ^ Comissão Pró Yanomami - CCPY ^ Berwick, Dennison. "Savages, The Life And Killing of the Yanomami" Macfarlane Walter & Ross (1992) ISBN 0921912331 ^ Davi Kopenawa, The Falling Sky, Harvard University Press, 2013. ISBN 0674726111 ^ Macauley, Cameron (2005. Aggressive active case detection: a malaria control strategy based on the Brazilian model. Social Science & Medicine. 60 (3) 563–573. 1016/cscimed. 2004. 05. 025. PMID 15550304. ^ The work of URIHI in the Yanomami Area, 2000-2004 ^ Posey, Darrell (2006. Human Impacts On Amazonia: The Role Of Traditional Ecological Knowledge In Conservation And Development. New York: Columbia University Press. p. 241. ^ Cannibal Holocaust—Yanomamo. ^ Andrew N. Woznicki. "Endocannibalism of the Yanomami. The Summit Times. ^ Yanomamo. Rose-Conlon Music. ^ Yanomamo Chorus Book. Josef Weinberger. ^ Yai Wanonabälewä review. Focus on the family. ^ Max Brooks (2013. World War Z. Crown Publishing Group. ISBN 9780770437404. ^ J. Morrison, William Spencer-Hale and Bill Bridges. Rage Across the Amazon. White Wolf Publishing. Further reading [ edit] Dawson, Mike. Growing Up Yanomam'o: Missionary Adventures in the Amazon Rainforest, Grace Acres Press, May 1, 2009. ISBN 1602650098 Berwick, Dennison. "Savages, The Life And Killing of the Yanomami" Macfarlane Walter & Ross (1992) ISBN 0921912331 Chagnon, Napoleon. (1968) Ya̧nomamö (formerly titled Ya̧nomamö: The Fierce People) Holt McDougal; 3rd edition (December 12, 1984) ISBN 0030623286 Good, Kenneth; with Chanoff, David. Into The Heart: One Man's Pursuit of Love and Knowledge Among the Yanomami. Addison-Wesley Publishing Company; January 17, 1997) ISBN 0673982327 Jacob, Frank They Eat your Ash to Save your Soul - Yanomami Death Culture. Lizot, Jacques. Original volume in French: Le Cercle des feux: Faits e dits des Indiens yanomami, 1976) Milliken, William; Albert, Bruce. Yanomami: A Forest People. Royal Botanic Gardens, Kew (January 15, 1999) ISBN 1900347733 Pancorbo, Luis. El banquete humano. Una historia cultural del canibalismo. Siglo XXI de España, Madrid, 2008. ISBN 978-84-323-1341-7 Pancorbo, Luis. Amazonas, último destino, Edelvives, Madrid, 1990. ISBN 84-263-1739-1 Pancorbo, Luis. Plumas y Lanzas. Lunverg-RTVE, Madrid, 1990. ISBN 84-7782-093-7 Peters, John Fred. Life Among the Yanomami: The Story of Change Among the Xilixana on the Mucajai River in Brazil. University of Toronto Press, 1998. ISBN 978-1-55111-193-3 Ramalho, Moises (2008. Os Yanomami e a morte. Doctoral Thesis, University of Sao Paulo, Dept. of Anthropology. Ramos, Alcida Rita (1995. Madison: University of Wisconsin Press. ISBN 0299146545 O'Hanlon, Redmond. In Trouble Again: A Journey Between the Orinoco and the Amazon. Penguin Books Limited, 2012. ISBN 0241963729 Ritchie, Mark Andrew. Island Lake Press; January 1, 2000) ISBN 0-9646952-3-5 Smiljanic, Maria Inês (January 2002. 2763. Tierney, Patrick. Darkness in El Dorado: How Scientists and Journalists Devastated the Amazon. W. Norton & Company (January 17, 2002) ISBN 0393322750 Valero, Helena. Yanoama: The Story of Helena Valero, a Girl Kidnapped by Amazonian Indians. An eyewitness account of a captive who came of age in the tribe. Wallace, Scott. "Napoleon in Exile. National Geographic Adventure, April 2002, pp. 52–61, 98–100. External links [ edit] Wikimedia Commons has media related to Yanomami. Survival International's Yanomami page, official website of The Good Project, official website of the Yanomami Indians and the Hutukara Association Indigenous Peoples of Brazil—Yanomami Easton RD, Merriwether DA, Crews DE, Ferrell RE (July 1996. mtDNA variation in the Yanomami: evidence for additional New World founding lineages. Am. J. Hum. Genet. 59 (1) 213–225. PMC 1915132. PMID 8659527.
Expedição chega ao cume do Pico da Neblina, ponto mais alto do Brasil. Foto: Flavio Bocarde/ICMbio Expedição inédita ao ponto mais alto do Brasil avalia as condições da trilha para prepará-la ao ecoturismo e registra os lugares que fazem parte da história e cultura do povo Yanomami. Por Marcos Wesley, coordenador-adjunto do Programa Rio Negro, do ISA Se subir o Pico da Neblina já é uma experiência emocionante, imagine fazer esta caminhada guiado por um pajé Yanomami que viveu sua infância e adolescência bem pertinho da montanha, antes mesmo da chegada dos brancos? “Ali era a nossa casa e nós chamávamos este lugar de Irokae (choro do macaco guariba)”, nos conta o pajé Carlos Yanomami em sua própria língua, apontando para a floresta que parece intacta, mas que, há 60 anos, abrigou uma casa coletiva onde aconteciam as festas e rituais de seus parentes. Pajé Carlos Yanomami. Foto Flavio Bocarde O Pico da Neblina é chamado pelos Yanomami de Yaripo, termo que pode ser traduzido como montanha do vento e da tempestade. Ouvindo as histórias do pajé Carlos, a expedição composta por 32 pessoas percorre a trilha até o cume do Yaripo. A viagem dura 10 dias e dá corpo ao projeto de Ecoturismo Yaripo, desenvolvido pelos Yanomami e do qual o ISA é um dos principais parceiros. Integrantes da expedição ao Pico da Neblina. Foto: Flavio Bocarde/ICMbio Além de seu Carlos, outros 18 Yanomami integram a equipe, sendo 16 rapazes e duas mulheres, Maria e Floriza. Eles estão se capacitando para fazer o monitoramento da trilha e trabalhar como guias, carregadores, cozinheiros, além de trabalhar na gestão do empreendimento de ecoturismo que pretendem desenvolver ali. Também participam da viagem representantes do ICMbio, Funai, Ministério Público Federal e Exército. Vista da Comunidade Yanomami de Ariabu (AM) próxima ao Pico da Neblina. Foto: Guilherme Gnipper/Funai Equipados com GPS, câmera de vídeo, máquina fotográfica e muito interesse, os expedicionários registram os relatos de seu Carlos ao longo do caminho de 36 quilômetros, iniciado na localidade do Igarapé Tucano, Terra Indígena Yanomami, no município de São Gabriel da Cachoeira (AM. Enquanto superam as distâncias e terrenos bastante exigentes, os índios marcam os locais onde animais ou suas pegadas são vistos, onde há água, pontos na trilha que devem ser melhorados e locais mais adequados para a construção de abrigos para pernoitar. Também identificam as áreas mais sensíveis à degradação ambiental. Uso do GPS e muitas anotações ao longo da trilha. Fotos: Marcos Wesley/ISA Maria Yanomami, hoje com 52, faz história ao se tornar a primeira mulher Yanomami a alcançar o cume do Yaripo — até esse momento, somente homens haviam realizado tal proeza. Já Floriza Yanomami, sua companheira de caminhada, não pode concluir a subida por respeito e temor às suas tradições. Um dia antes de chegar ao cume ela fica menstruada e, apesar de sua grande tristeza, sabia que aquela condição desagradaria os espíritos que vivem no pico. Se prosseguisse, poderia colocar em risco não só a própria vida, mas a de todos que participam da expedição. Floriza Yanomami (esquerda) e Maria Yanomami, a primeira mulher indígena a chegar ao Pico da Neblina. Foto Flavio Bocarde/ICMbio O ecoturismo ao Yaripo será uma alternativa de geração de renda para as comunidades yanomami, que buscam recursos para adquirir bens manufaturados atualmente imprescindíveis: ferramentas para fazer roças, utensílios para preparar alimentos, artigos para dormir e vestir e bens para transporte. Com a implementação do projeto de ecoturismo de base comunitária, estima-se que 80 Yanomami passarão a ter renda prestando serviços regularmente, beneficiando indiretamente outras 800 pessoas, entre parentes e dependentes. Mapa da trilha para o Pico da Neblina O desenvolvimento do trabalho dos guias Yanomami e do funcionamento da trilha para uso regular deve ainda gerar recursos destinados a fins comunitários, seguindo as determinações da assembleia geral da Associação Yanomami do Rio Cauburis e Afluentes (AYRCA) da qual participam todos os Yanomami da região. O ecoturismo ao Yaripo se apresenta assim como uma alternativa ao garimpo de ouro atualmente em vigor nos arredores do pico, praticado tanto por invasores brancos quanto pelos próprios Yanomami. Jovens do sexo masculino, na maioria casados e com filhos, encontram na atividade garimpeira uma renda para manter a família. Trabalham por conta própria com garimpo manual de ouro ou como carregadores para os garimpeiros invasores. Durante os 10 dias de caminhada na trilha, a expedição cruza com 30 jovens Yanomami indo ou vindo de garimpos. Indagados, dizem trabalhar no garimpo por necessidade e se queixam da ausência de alternativas. Eles avaliam o garimpo como prejudicial à natureza e a eles próprios por ser um trabalho duro e penoso. A expectativa de todos com os quais conversamos é que, com as atividades ligadas ao ecoturismo, será possível deixar o garimpo para se engajar numa atividade de baixo impacto ambiental, além de ser mais agradável e rentável. Trilha para o Pico da Neblina. Fotos: Marcos Wesley/ISA O Pico da Neblina é um dos lugares mais conhecidos do mundo para os amantes do turismo de aventura. Está fechado para visitação desde 2003 por recomendação do Ministério Público Federal e determinação do Ibama. Se, por um lado, a decisão frustrou os montanhistas, por outro foi uma medida necessária para impedir a degradação ambiental e a violação dos direitos dos Yanomami. Fotos Guilherme Gnipper/Funai A reabertura da trilha ao pico para o turismo, agora sob a administração dos Yanomami, está prevista apenas para 2018. Pessoas do mundo todo poderão conhecer os Yanomami e o lugar precioso onde vivem. Em número restrito e com acesso controlado, os turistas poderão aprender um pouco da cultura indígena, desfrutar de sua hospitalidade e se juntar na aliança em defesa dos direitos indígenas e da floresta amazônica. Quando o Yaripo enfim estiver aberto aos turistas, as histórias de Seu Carlos Yanomami estarão vivas junto aos jovens que hoje recebem esse conhecimento do velho pajé — e que então poderão transmití-las e encantar aos visitantes. Para o desenvolvimento do projeto Ecoturismo Yaripo, a Associação Yanomami (AYRCA) e o ISA estão buscando apoiadores. Se você tiver interesse em apoiar essa iniciativa ou quiser mais informações sobre ela, escreva para marcos Fotos: Guilherme Gnipper/Funai.
YouTube. 5btv 5d depositfiles como fotografie os yanomami karaoke. Bruna Garcia Fonseca São Paulo – The documentary “Constantino, ” which tells the life story of the moviemaker Otavio Curys great-grandfather will be screened at the Arab Brazilian Chamber of Commerce auditorium on October 2 nd at 7 pm in São Paulo. The session celebrates ten years since the shooting in Syria in 2009 and, after the movie, therell be a talk with the director. Admission is free and registrations can be made on this link. Pictured above, a scene of the movie. “Constantino” runs for 80 minutes and is spoken in Portuguese, English and Arabic, subtitled in Portuguese. The movie was launched in 2012. “It was my longest, most challenging project, ” Cury told ANBA. The idea of the documentary came about when the director went to Syria in 2001 and found his great-grandfathers book, “Complete works by Daud Constantino Al-Khoury, ” and decided to translate it into Portuguese. The book was translated three years later but has not yet been published. “As September 11 happened and the world stood against the Arab and Islamic world, I tried to get closer to my background through my great-grandfather story, ” he said. Constantino was as a journalist, actor, poet, and became an important figure for his time in Damascus and Homs from 1880 to 1920. He founded Homs first newspaper that is around until these days and was an important collaborator of the Syrian drama, being one of the first playwriters to ever stage plays in the Arab world. “I show the political and historical background of those times but delve into my familys lanes of poetry and memory about my great-grandfather, ” explained Cury. The movie, he said, was born from a wish to translate the book and talks about the process of a “labyrinthine search with layers from the past. Everything gets mixed. The movies theme is time, memory, immigration, ” he explained. Cury recreates scenes from 2001, when he visited the country for the first time, staged his great-grandfathers texts with Syrian actors on a Roman theater ruins. “I make a freer interpretation on a nonlinear narrative about this poetic journey through my familys memory, ” he said. Otavio Cury was born in São Paulo in 1971 and, besides “Constantino, ” directed documentaries “Cosmópolis, ” “História de Abraim” and “Como fotografei os Yanomami. ” Check out the trailer below: Quick facts Constantino – commemorative session and talk with director October 2 nd, 7 pm Arab Chambers auditorium Avenida Paulista, 283, 11 th floor Free admission Register here +55 (11) 3145-3200 Translated by Guilherme Miranda Press Release.
FULL CAST AND CREW, TRIVIA, USER REVIEWS, IMDbPro, MORE 1h 12min Documentary 9 August 2018 (Brazil) Add a Plot » Director: Otavio Cury Writers: Otavio Cury, Sofia Mariutti View production, box office. company info ad feedback Regina King on Questions About "Watchmen" Season 2 Regina King addresses the question of whether a second season of " Watchmen " might be made. Watch now Double Take: Biopic Look-alikes Along with Tom Hanks ' performance as Fred Rogers in A Beautiful Day in the Neighborhood, we've rounded up some of the best biopic look-alikes. See the full gallery Around The Web, Powered by ZergNet Create a list » User Lists Related lists from IMDb users Brazilian Films That Address Indigenous Issues [under construction] a list of 19 titles created 06 Dec 2017 Preciso Assistir a list of 3142 titles created 31 Aug 2013 See all related lists » Related Items Search for " Como Fotografei os Yanomami " on Photos Add Image Add an image Do you have any images for this title? Edit Storyline Add Full Plot Add Synopsis Genres: Parents Guide: Add content advisory for parents » Details Official Sites: Adoro Cinema Country: Brazil Language: Portuguese Macro-Jê Release Date: 9 August 2018 (Brazil) See more » Box Office Budget: BRL0 (estimated) See more on IMDbPro » Company Credits Production Co: OutrosFilmes, Studio Riff Show more on IMDbPro » Technical Specs Color: Color See full technical specs » Frequently Asked Questions This FAQ is empty. Add the first question. User Reviews Review this title » Getting Started Contributor Zone » Contribute to This Page Free Movies and TV Shows You Can Watch Now On IMDb TV, you can catch Hollywood hits and popular TV series at no cost. Select any poster below to play the movie, totally free! The Ring Lawrence of Arabia Funny Girl The Graduate WarGames Browse free movies and TV series.
Abkhazian Aboriginal Aché Acholi Afrikaans Aidoukrou Akan Albanian Algonquin American Sign Language Amharic Apache languages Arabic Aragonese Aramaic Arapaho Armenian Assamese Assyrian Neo-Aramaic Athapascan languages Australian Sign Language Awadhi Aymara Azerbaijani Bable Baka Balinese Bambara Basque Bassari Belarusian Bemba Bengali Berber languages Bhojpuri Bicolano Bodo Bosnian Brazilian Sign Language Breton British Sign Language Bulgarian Burmese Cantonese Catalan Central Khmer Chakma Chaozhou Chechen Cherokee Cheyenne Chhattisgarhi Chinese Cornish Corsican Cree Creek Croatian Crow Czech Danish Dari Desiya Dinka Djerma Dogri Dutch Dyula Dzongkha East-Greenlandic Eastern Frisian Egyptian (Ancient) English Esperanto Estonian Ewe Faliasch Faroese Filipino Finnish Flemish Fon French French Sign Language Fulah Fur Gaelic Galician Georgian German German Sign Language Grebo Greek Greek, Ancient (to 1453) Greenlandic Guarani Gujarati Gumatj Gunwinggu Haitian Haida Hakka Haryanvi Hassanya Hausa Hawaiian Hebrew Hindi Hmong Hokkien Hopi Hungarian Iban Ibo Icelandic Icelandic Sign Language Indian Sign Language Indonesian Inuktitut Inupiaq Irish Gaelic Irula Italian Japanese Japanese Sign Language Jola-Fonyi Ju'hoan Kaado Kabuverdianu Kabyle Kalmyk-Oirat Kannada Karajá Karbi Karen Kazakh Khanty Khasi Kikuyu Kinyarwanda Kirundi Klingon Kodava Konkani Korean Korean Sign Language Korowai Kriolu Kru Kudmali Kuna Kurdish Kwakiutl Kyrgyz Ladakhi Ladino Lao Latin Latvian Limbu Lingala Lithuanian Low German Luxembourgish Macedonian Macro-Jê Magahi Maithili Malagasy Malay Malayalam Malecite-Passamaquoddy Malinka Maltese Manchu Mandarin Mandingo Manipuri Maori Mapudungun Marathi Marshallese Masai Masalit Maya Mende Micmac Middle English Min Nan Minangkabau Mirandese Mixtec Mizo Mohawk Mongolian Montagnais More Morisyen Nagpuri Nahuatl Nama Navajo Naxi Ndebele Neapolitan Nenets Nepali Nisga'a None Norse, Old North American Indian Norwegian Nushi Nyaneka Nyanja Occitan Ojibwa Ojihimba Old English Oriya Papiamento Parsee Pashtu Pawnee Persian Peul Polish Polynesian Portuguese Pular Punjabi Purepecha Quechua Quenya Rajasthani Rawan Rhaetian Romanian Romansh Romany Rotuman Russian Russian Sign Language Ryukyuan Saami Samoan Sanskrit Sardinian Scanian Serbian Serbo-Croatian Serer Shanghainese Shanxi Shona Shoshoni Sicilian Sindarin Sindhi Sinhala Sioux Slovak Slovenian Somali Songhay Soninke Sorbian languages Sotho Sousson Spanish Spanish Sign Language Sranan Swahili Swedish Swiss German Sylheti Tagalog Tajik Tamashek Tamil Tarahumara Tatar Telugu Teochew Thai Tibetan Tigrigna Tlingit Tok Pisin Tonga (Tonga Islands) Tsonga Tswa Tswana Tulu Tupi Turkish Turkmen Tuvinian Tzotzil Ukrainian Ukrainian Sign Language Ungwatsi Urdu Uzbek Vietnamese Visayan Washoe Welsh Wolof Xhosa Yakut Yapese Yiddish Yoruba Zulu.
5btv 5d depositfiles como fotografie os yanomami live.
Sex & Nudity Severity? 0 We were unable to submit your evaluation. Please try again later. Violence & Gore Profanity Alcohol, Drugs & Smoking Frightening & Intense Scenes We were unable to submit your evaluation. Please try again later.
Tv depositfiles como fotografie os yanomami.
O girl power do audiovisual nacional vem para ficar. Nesta sexta-feira, dia 8 de março, celebra-se o Dia Internacional da Mulher, desde atrizes, diretoras, produtoras, montadoras, assistentes, a sétima arte é composta sim por nós: mas cadê elas? A cara do cinema do cinema nacional ainda é muito masculina. De acordo com estudo feito pela Agência Nacional do Cinema (ANCINE) a grande maioria dos trabalhadores de audiovisual são homens e brancos. Eles correspondem a 75, 4% dos diretores e 59, 9% dos roteiristas, enquanto as mulheres brancas correspondem a 19, 7% de diretores e 16, 2% de roteiristas. Os diretores negros, homens e mulheres somados, chegam a míseros 2, 1% na direção, 2, 1% no roteiro e 2, 1% na produção executiva. Nenhuma mulher negra dirigiu filmes lançados comercialmente em 2016. O estudo ainda ressalta que, de acordo com o IBGE, 51, 5% da população brasileira é composta por mulheres, ou seja, o mercado de cinema está muito longe de nos representar. Mas, aos poucos, nomes fortes fazem história lutando pela mudança deste cenário no país. O AdoroCinema homenageia a data elencando 10 figuras femininas que estão em ascensão no cinema nacional e são uma das promessas de transformação da cara da nossa produção. Paula Gomes A diretora e roteirista brasileira é responsável pelo documentário Jonas e O Circo Sem Lona ( nota máxima do AdoroCinema) que ganhou o TFI Latin America Media Arts Fund 2014, e dona da Plano 3 Filmes. Atualmente, Paula trabalha em mais um longa, nomeado Filho de Boi e, assim como o seu primeiro longa, filmado na Bahia. Julia Zakia Também atriz e diretora, Zakia tem uma extensa trajetória premiada como diretora de fotografia de diversos longas metragens nacionais. Sua estreia na direção de longas aconteceu com o filme Rio Cigano, co-produzido pela Superfilmes e Gato do Parque, produtora da qual é sócia fundadora. No ano passado, chegou às telonas com Como Fotografei os Yanomami, no qual atuou como diretora de fotografia. Dora Amorim Nascida em Recife, é sócia da Ponte Produções e produtora de cinema desde 2010. Atualmente, é diretora de produção da Janela Internacional de Cinema do Recife - um dos mais prestigiados festivais de cinema do Brasil. Trabalhou como produtora executiva de Aquarius, que esteve em competição na Seleção Oficial Cannes 2016. Recentemente, participou da produção de Camocim, filme vencedor do prêmio Encuentro Award, na edição de 2017 do Miami Film Festival. Alice Riff A cineasta tem trabalhado com um cinema engajado e militante. Dirigiu Meu Corpo é Político, que levanta questões sobre a população trans no Brasil e suas disputas políticas. O longa de 2017 recebeu diversos prêmios: no festival de cinema LGBT de Torino, no Festival Internacional de Cinema de Curitiba, no 50º Festival de Brasília do Cinema Brasileiro e no DocSP 2017. Sua mais recente estreia é o filme Eleições, dirigido por ela e em cartaz nos cinemas. Anita Rocha da Silveira Autora de três curtas-metragens, a cineasta estreou na direção de um longa com Mate-Me Por Favor. A produção estreou na secção Horizontes na 72ª edição do Festival de Cinema de Veneza e recebeu a estatueta de Melhor Direção no Festival do Rio 2016. Julia Katharine A atriz e roteirista é a primeira mulher transexual com um filme lançado em circuito comercial, com seu trabalho em Lembro Mais dos Corvos, longa que estrelou e roteirizou em parceria com o diretor Gustavo Vinagre. Vale lembrar que um dos momentos mais emocionantes da Mostra de Tiradentes foi o anúncio de Julia Katharine como vencedora do troféu Helena Ignez. Camila de Moraes A cineasta vem de uma família de artistas e militantes negros. Sua estreia em um longa-metragem aconteceu em 2017, com O Caso do Homem Errado, que conta a história de Júlio César de Melo Pinto, seu tio executado pela polícia em 1987, em Porto Alegre. O documentário participou do Festival de Gramado, do 9º Festival Internacional de Cine Latino, Uruguayo y Brasileiro, em Punta del Este e em Salvador. Nara Normande Nascida em Guaxuma, no nordeste do Brasil, dirigiu alguns curtas-metragens, incluindo o premiado Guaxuma. A produção foi premiada no Anima Mundi e Festival de Gramado em 2018 e conta a delicada história de infância de Nara com uma amiga na região litoral do Alagoas. Sua narração em off e um excelente trabalho de animação tornam a obra particular e muito sensorial. Normande estará nas telonas em breve com o longa Sem Coração. Gabriela Amaral Almeida A roteirista e diretora tem seis curtas-metragens em seu currículo e trabalhou no roteiro do filme Quando Eu Era Vivo, de 2014. Em 2018, dirigiu seu primeiro longa, O Animal Cordial, com Luciana Paes e Murilo Benício, que fez estreia mundial em 2017 no 21º Fantasia International Film Festival no Canadá. Depois seguiu para Sitges (Espanha) LEtrange (França) Razor Reel Flanders Film Festival (Bélgica. Com o filme, Gabriela levou o prêmio de melhor diretora no FantasPoa 2018 e, agora ela retorna aos cinemas em maio com A Sombra do Pai. Juliana Antunes Produtora e diretora viu seu sonho se concretizar em 2017 ao dirigir o longa Baronesa, que teve sua primeira exibição na Mostra de Cinema de Tiradente e saiu vencedor como Melhor Filme Mostra Aurora e Prêmio Helena Ignez Destaque Feminino (Direção de Fotografia - Fernanda de Sena. Em seguida, passou por outros festivais e colecionou outros prêmios, como Melhor Destaque Feminino na Competição Internacional, Melhor Longa-Metragem pelo Juri Elviras e Prêmio Especial do Júri da Competição Nacional no 12º FEMINA - Festival Internacional de Cinema Feminino.
Joaquin Phoenix is behind a bevy of celebrated roles, including his Oscar -nominated role in Joker. Here are some roles he nearly played. Join us Sunday at 4:30 p. m. PT for IMDb LIVE presented by M&M'S at the Elton John AIDS Foundation Academy Awards Viewing Party. 5btv 5d depositfiles como fotografie os yanomami remix. 5btv 5d depositfiles como fotografie os yanomami lyrics. 5btv 5d depositfiles como fotografie os yanomami new.